BOOKS

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THE CHANGE

My Great-American, Postindustrial, Midlife Crisis Tour 

Coming Soon
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CHASING MONTANA 

(A Love Story)

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THE BEST CREATIVE NONFICTION, VOL 1.

Edited by Lee Gutkind

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SOMETHING TO DECLARE

​Edited by Gillian Kendall

 
 

BOOK REVIEWS for the NY TIMES


THE FRIEND
By Sigrid Nunez


The dog in this novel is a 180-pound Harlequin Great Dane whose size corresponds to the narrator's grief.


THE BEST of BREVITY
Edited by Zoë Bassiard
and Dinty Moore
Twenty years on, flash nonfiction, endures largely because those who write it quickly mastered the craft.

JOURNAL OF AN

ORDINARY GRIEF

By Mahmoud Darwish

Translated by Ibrahim Muhawi

Ordinary is a bitter understatement in this poetic memoir of a Palestinian losing his homeland. 


MAYBE THE PEOPLE WOULD BE THE TIMES
By Luc Sante

A cabinet of curiosities, filled with the dark, the magnificent and the simply strange subjects passing through Sante's imagination.


THE AGE of SKIN
By Dubravka Ugresic


“If somebody thinks that ours is a vulgar time, they’re right,” the Croatian author Ugresic writes in her collection


IF YOU FOLLOW ME
By Malena Watrous

This is a novel about a young woman teaching English in Japan, which is not an easy place to pick up your pieces. 

THE VISTING SUIT

By Xiaoda Xiao

This is a smart, haunting memoir of life inside a Mao-era prison camp in China, written in episodic chapters

ESSAYS FROM

THE NICK OF TIME

By Mark Slouka

Slouka sees the world as it is and is becoming...and he gets grumpy. Here you'll find insights big, small and funny: remember when camcorders were edgy?

MOURNING DIARY

By Roland Barthes

Translated by Richard Howard

In this posthumously published book, the great intellectual confronts grief in a series of notes to self.

BIO

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   Lori Soderlind is author of two memoirs: The Change (My Great-American, Postindustrial, Midlife Crisis Tour) and Chasing Montana (A Love Story).  She is director of the MFA Creative Writing Program at Manhattanville College.

   Her writing has appeared in anthologies and journals; her essay "66 Signs" is included in the Norton Anthology of Best Creative Nonfiction. She has reviewed books for the New York Times and elsewhere.  

   Lori began her career in print journalism, working as a reporter, editor, and freelancer for newspapers and magazines across New Jersey and New York. After earning an MFA in nonfiction writing from Columbia University, she worked as a city editor at the Times Union newspaper in Albany, NY, and taught writing at SUNY's Albany campus. She was also an adjunct professor at Columbia University and Western Connecticut State University and a professor of journalism at Norwalk Community College in Norwalk, CT,  before taking her position as director of the Manhattanville College MFA program.

   Regarding her love of carpentry, Lori was torn between being a

writer, a carpenter, or a rock star for much of her early life and finally settled on a career in the area where she felt she might actually have talent. This did not stop her from pursuing her other passions; she has been attempting and sometimes succeeding at renovating houses and barns for much of her adult life and is now practicing scales on her electric bass in earnest, hoping music might regain a place in her creative universe.

 

 Like many creative people, the roots of these passions are easily traced to Lori's childhood. In first grade, two notable essays--one on Abraham Lincoln and one on the marriage of her two favorite stuffed animals, both mice--catapulted her to the sort of grammar school acclaim that sets one’s life course in an instant. Lori soon became a prolific writer of short stories, essays, diary entries, letters, and notes to her classmates, reaching what her mother has labeled her creative zenith in the sixth grade with the musical, “School House Patriots,” for which Lori wrote book, score and lyrics. Former classmates may also recall the school anthem Lori composed, “All Glory to Glenwood School.” Meanwhile, Lori displayed an early passion for making and fixing stuff. She  completely remodeled her dollhouse in her basement workshop as a girl, where she also spent years attempting to build a functioning car using only wood scraps, tin cans, and found objects. In the same period, she enlisted the help of neighborhood boys in building a double-decker tree fort, piling spare sections of white picket fence against a tree and using mud packs in place of concrete. The boys walked off the job when they discovered Lori was a girl (well, duh) and the fort was torn down by her father before it was ever remotely inhabitable. Still, the project telegraphed her affinity for near-condemned properties, which she began collecting or coveting as an adult with her own real power tools.
    After experimenting with a derelict lifestyle in high school to “gain material for my art,” Lori went on to  study English in college, then followed her father’s footsteps into journalism—a field where she was able to actually earn a living writing about unusual bar mitzvahs, parachuting grandmothers and the weather. She briefly quit the newspaper world to work in a book store and in a wood shop and, when they fired her there (mainly, she thinks, for being a girl), she set off on the western adventure that would become her first book.

    Her latest book, The Change, was the fruit of a long drive she took with her dog Colby, setting off to find "the most depressing places I could find in the country," Lori has explained, though she only had time to scratch the surface. Colby died peacefully at home shortly before his sixteenth birthday. Lori now lives in New York City with her Portuguese water dog Graci.

CONTACT

 
 
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